|
Use of the Hands in TCC
At the most basic level, as well as the very highest, Tai Chi Chuan is a martial
art. Every aspect of this art must adhere to the martial principles or it can't
be called Chuan which means martial form or fist. Many people are adverse to
the study of a martial art and therefore look at Tai Chi Chuan as a Chi Kung
exercise, which of course it is, yet it is a martial chi kung. Many people like
Tai Chi as a meditation art, which it is, yet it isn't a transcendental meditation
to take us away from the body, but a natural meditative system with the intention
of unifying the body, mind and spirit.
With this in mind I want to talk about the role of the hands in Tai Chi Form.
The hands are the main tools for our interacting with others and our environment.
The hands contain over one quarter of all the bones of the body. One sixth of
all the muscles of the body are used in hand movements. A single hand movement
can involve as many as 50 muscles working together. There are as many as 21,000
sensors of heat, pressure, and pain per square inch of the fingertips. The hands
can destroy or heal, cause pleasure or pain.
Tools are designed to perform certain tasks. A hammer is used to sink a nail,
a saw to cut , a screwdriver to insert or extract a screw. Hands are also designed
for specific tasks. The long, slender fingers of the monkey are used for grasping
branches. The mole has short fingers with broad, strong nails used for digging.
The whales fingers are webbed to move through water. Each hand or tool has been
designed to get a job done in the best possible fashion. This is not to say
that the monkey couldn't use his hands to swim or the mole couldn't grasp anything,
but each has its optimum use.
The human hand is an incredible design. It is very general, not limited to a
few very specific tasks, and it has evolved to have almost unlimited possible
uses. The hands of the Tai Chi player certainly express this variation of abilities
to the fullest. They can grab, pull, push, twist, poke, strike, neutralize,
adhere, smash, slap, chop, and more. Most of the time, one hand will be performing
one task while the other hand is doing something else. Just as you would never
cut a board with a hammer, or sink a nail with a screwdriver, one would not
grab something with a fisted hand, or slap with a finger. The fist is used for
striking, the finger is used for poking.
Most Yang Style Tai Chi players do not change their hand postures to reflect
the different uses of the hands in each movement, and I feel it is a short coming.
Changing hand postures takes understanding of what one is doing at all times
in the form. Changing postures and intention go together and I believe that
intention is the master key to success in Tai Chi Chuan. So let's look at some
the hand positions, their uses, and where they are expressed in the Yang Style
Tai Chi form. These are the most common hand postures and is not meant to cover
all possibilities. The hand postures reflect the application, so the examples
given are only one out of many posibilities.
Normal Hand
| |
This is the most common hand position
( inactive). It is relaxed with just enough peng in it to keep it
aware. In all martial arts that use open hand techniques, this is
the "at ready" hand. A hand is in the normal posture if
it is waiting to do something, or if the other hand is involved
in activity and it is just relaxing. This posture is used between
movements as a transitional hand posture. An example would be waiting
to go into Fist Under Elbow, or the waiting in Repulse Monkey.
|
|
Tiger's Mouth ( Neutralizing, pulling, grabbing, twisting)
| |
This hand posture is quite open, with a large open
space (lots of peng) between the thumb and index finger. This ability
to grasp and clasp things between the thumb and other fingers has
allowed man to reach the top of the survival pyramid. This posture
is very active, ready to grab and twist. It is not good for strikes
as the energy would be dispersed over too large an area and the
thumb is vulnerable to attack as it sticks out. Examples are the
left hand in Left Brush Knee, the pulling hand in Repulse Monkey,
the right hand in High Pat on Horse.
|
|
Striking Palm
| |
In this hand posture, the thumb is held quite close
to the palm of the hand, and the fingers are held
erect, slightly back. The main area of energy is in the lower palm,
as the bones of the forearm are quite close to the surface here.
This palm allows a great deal of concentration of hard jing (yang)
with the purpose of sending energy deep into opponent's body. Examples
include Brush Knee (the striking hand), Repulse Monkey (striking
hand), Fan through the Back.
|
|
Pushing Hand and Neutralizing Hand
| |
Probably the most common active hand posture, the
pushing or neutralizing hand is an intermediate step between the
Relaxed Hand and the Tiger's Mouth. It is soft enough to be able
to mold to the surface it is attached to, yet firm enough to transmit
solid energy. The thumb is held closer to the palm then Tiger's
Mouth, and the fingers have a bit more spread then a Striking Palm.
Examples include Push, Withdraw and Push, Brush Knee, Roll Back
( right hand).
|
|
Slapping Palm
| |
This is an open hand with the thumb held fairly
close to the palm. It is a softer hand posture then striking palm
as it is used in a whip like fashion with out the intention of energy
penetrating deeply. This slapping palm is used to confuse the opponent
and to set up other movements. An example is High Pat on Horse.
|
|
Chopping Hand
| |
The fingers of this posture are held together firmly,
have lots of peng energy,and the thumb is tucked firmly into the
palm. The energy is concentrated on the edge of the hand that is
used to do the chopping, and can be done in an upward or downward
motion. An example of downward chop is Deflect Downward and an example
of upward chop is Slanting Flying.
|
|
Finger Poke Hand
| |
The hand is held very firmly, fingers straight,
thumb tucked tightly into palm. It is very important for the forearm,
wrist, palm, and fingers to line up straight, as the poke puts a
great deal of stress on the joints if not in line. Examples include
Plane Cross Hands, Needle At Sea Bottom and White Snake Puts Out
Tongue (left hand).
|
|
Back of Hand Striking Hand
| |
This is a very difficult hand posture to master
as the area of energy release is quite limited due to the fact that
the bones on the back of the hand are quite close to the surface
and therefore easily broken or damaged if not used correctly. This
posture is used mostly to stun or distract, focused generally on
the face and especially the nose. The shape is rather round with
most of the energy in the knuckle region. An example is White Snake.
|
|
Fist
| |
The fist is used in many ways in Tai Chi. One can
punch, chop, use front, back, sides. Knuckles can protrude to concentrate
energy into small areas. The most common fist is the straight punch,
like in Step Up, Parry, and Punch. Be sure to close the fist firmly
but not too tightly. The energy for the most effective forward punch
comes from the two large knuckles of the index and middle fingers.
Be sure to line up the forearm, wrist, and hand so that all force
comes from the back and nothing will bend out of shape when the
force is released.When we punch in Tai Chi we usually use a half
twist ( ending with the thumb of the punching fist facing upward)
to help focus and concentrate the energy. We don't use a full twist
(ending with the fingers of the punching fist facing down) as that
puts a lot of stress on the connective tissues of the shoulder,
elbow, and wrist.
|
|
Hook Hand
| |
This is the hand position for Single Whip. It is
a very versatile tool used for striking ( mainly sides but also
knuckles, wrist area, and back of hand), poking (fingers concentrate
energy into a small area), neutralizing (fingers wrap mainly around
wrist of opponent). In the long form of Yang style, there are 10
Single Whips. I do a different variation for each so I can practice
more of these interesting possibilities.
|
|
Let's now look at some of the Tai Chi movements and see how these hand postures
fit in.
| |
Step Back and Repulse Monkey
The left hand is a striking palm while the right hand is in tiger's
mouth.I could easily grab his right wrist with my right hand, but,
since he is holding tightly onto my wrist, I just need to withdraw
my arm and he is closed up and vulnerable to my palm strike.
|
|
| |
Plane Cross Hands
I am using a neutraling palm with my right hand, pressing slightly
down and in, while I poke with my left hand.
You can see if I used a Tiger's Mouth with the left hand, the thumb
might get in the way and dissipate the jing.
|
|
| |
Single Whip
I have many applications for Single Whip. Here I use a Tiger's
Mouth to grab his left wrist with my left hand and strike his ribs
with my hook hand.
|
|
| |
White Snake Puts Out Tongue
I use a neutralizing hand with my left hand and strike with a back
hand slap with my right hand to Rex's nose.
The bridge of the nose is an excellent target for this tool as
it doesn't take a lot of force to cause pain.
|
|
| |
Fan Through the Back
I use a Tiger's Mouth with my right hand to grab and pull a bit
in order to open his rib area so I can strike with a striking hand.
I could use a fist also with good results.
|
|
| |
Hit a Tiger
This is an interesting movement. I am blocking his right hook punch
with my left arm. This is called a blocking punch because I am punching
his right temple at the same time I am blocking. It takes some practice
to use blocking punches, but once mastered, they are very effective.
My right fist punches his center. This is a very powerful punch
- short range with the entire body behind it.
You will see some practitioners do this movement punching both
fists at the same time. I like to do the left arm just slightly
before the right.
|
|
| |
High Pat on Horse
High Pat uses a left hand Tiger's Mouth for a grabbing neutralize
as I slap Rex's left ear with my right hand.
I could have used a neutralizing hand on his left punch, but my
slap is much more effective when I add a slight pull to his wrist,
upsetting his root and balance.
|
|
Conclusion
I hope I have given you some food for thought and I encourage you to explore
the almost unlimited possibilities that the hands present to the martial artist.
Paying attention to the changes in hand postures will help you focus and keep
your mind from wandering thereby increasing the generation of Chi. For those
of you interested in self healing, changing hand postures causes a greater variety
of energy transmission pathways and mind/body interaction, both of which lead
to improvements in health. Meditators will find deeper involvement in understanding
the form will contribute to a richer and vastly more interesting experience.
I would also like to thank Sifu Rex Long for helping me out with this series.
And special thanks to Marvin Smalheiser, publisher of T'ai Chi Magazine,
for letting me reprint this article that appeared in Vol. 24, No.1 February
2000 issue. T'ai Chi Magazine remains a great source for information
on the internal arts. |