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This Lesson Contains:
Push Hands Tournament Reminder and Movement # 86 – Needle
At Sea Bottom
Tournament Reminder
If you are following this course any where near Port Townsend, I want to remind you of the upcoming Seminars and Tournament on March 16 and 17. The seminars will focus on the fine art of Push Hands by three champions, Sam Masich, Elaine Waters, and myself. The times are posted at the Tournament bar of the Home page. The Tournament, on March 17, will be instructive and fun to participate in or watch. Beginners are more than welcome, with their own class division. You will learn a great deal about your art and your self by playing under a bit of pressure. At least, come and support those who are taking part. It is interesting and instructive to watch how people apply what they have learned in this situation.
Both the seminars and tournament take place
at the Port Townsend Community Center, located in historic uptown, at the
corner of Lawrence and Tyler Sts. Please check out the Home page for more
details.
Movement # 86 – Needle At Sea Bottom
This is our second variation for Needle At Sea Bottom. In the first, the opponent grabbed my hand with his right hand. I then closed him up to my right, applied a wristlock, and took him down. Now the opponent grabs with his left hand. The same application would not work, so this time, I take him off with my left hand closing him up, pull him down, and attack him with a finger poke to his kidney area.
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Yoshi grabs my right wrist with his left hand. I relax. Following
Left Brush Knee, sink the weight deeper into the left leg, roll up onto the
right toe, and relax both hands. Focus on
energy returning to the center. |
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I take Yoshi’s hand off and grab his wrist (pictures down below). Replace
the right foot in basically the same place with the toe facing halfway
between north and west. Shift the weight onto the right foot. Pull in the
left foot to touch on the toe. The toe faces west. This replace says that I
could bring the right foot up to block or kick, or I could retreat quickly,
depending on what the opponent does. In this case, I decide to move backward
a little bit to give myself a bit more room. As you
shift the weight back onto the right foot, draw the right elbow back by the side
of the body with the fingers pointed forward. Don’t let the elbow get behind
the body. At the same time, the left arm comes straight up with the arm
fairly straight. It stops at about shoulder level with the palm facing to the
right and the fingers pointing forward. Focus on
the left wrist/hand to break the grip and grab. |
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Here I show the breaking of the grip and the grab. As the
weight shifts back, the raising left hand passes quite close to the right
hand. You can see that my left wrist (palm down) is placed under Yoshi’s
wrist, which is grabbing my right wrist from underneath. This upward force
with my left arm and the downward and inward force with my right will really
hurt Yoshi if he doesn’t let go and release his tension. When he lets go of
his grip, I grab his wrist with my left hand. I lift and twist his arm by
turning my arm counterclockwise. The
right arm has withdrawn to my right waist area to protect and get ready to
attack. |
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I now add Tsai Jing (pull down energy), and follow with a finger poke. The upper
body bends forward at the waist. There is no movement with the lower body. Do
not put any weight on the left toe. You can use it for blocking or kicking. The
body bends until the torso is at a 45-degree angle. Keep the back in a
straight line. Don’t let the upper back bend. As you
bend, the left hand pulls down and ends by the left side of the left knee,
with the palm facing downward. At the same time, the right arm extends
outward to end about lower waist level. The palm faces to the left. The fingers
are full of chi, quite straight. Focus on
the right fingers for poking and the left hand for pulling down. Note: If the pull down is done with a sharp snapping
energy, the opponent’s neck can suffer whiplash. Be careful. |