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This Lesson Contains:
Movement # 32 – Left And Right Double Wheel
Wow! A huge movement – 45 pictures, It always seemed to me that this should have been two movements, not one, since it really consists of two separate movements that are quite similar. Following Retreat and Parry to the Left, I step inside and slash across the opponent’s chest. She falls back and I follow her, attacking with an upper cut. Part two is basically a repeat. She pokes, I neutralize, step inside, and this time I press upward. She again retreats; I follow, and deliver an upper cut. It is important to make all this one, smooth movement. When done smoothly, there are two large wheels or circles drawn on both sides of the body.
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1) Stephie poked and I retreated and Parried to the Left. 2)
Sticking, I start to move inside. |
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1) I slash across her upper body. 2) She
evaded my slash and stepped back. I follow and attach to her saber hand. |
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1) She continues to retreat and I follow. 2) I
upper cut to her lower body. |
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1) She pokes to my upper body and I join, stick and lead her to the left. 2)
Sticking I start to move inside. |
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1) I press upward to her center. 2) She
evades and retreats. I follow. |
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I use an
upper cut to her lower body. |
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The end of Retreat And Parry to the Left. |
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I stick and start to move in. Lift up
the right foot and rotate out the hip so the toe turns to the right. The
saber is starting a clockwise circle on the left side of the body. The left
hand sticks to the right wrist. Focus on
the outside of the saber blade for sticking. Note: You have to be careful to stick when moving in
for the slash. You are quite vulnerable if you don’t. |
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Stepping inside and starting the slash. Touch
down the right heel. The toe faces halfway between east and south. The weight
starts to shift onto the right foot. The
saber continues its circle and is being drawn down and slightly to the right. Focus on
the target, and keep some awareness on the opponent’s saber. |
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The slash is complete. Shift
the weight onto the right foot and roll up onto the left toe. The torso is
turning to the right as the weight is shifted. The
hands are pulled across the body and upward to end by the right side of the
head. The sharp cutting edge of your saber is diagonally across the front of
your upper body with the point slightly forward of the handle. Focus on
the cutting edge. Note: This is a very strong slash since the whole body
and the arms are pulling the saber across the body. |
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The opponent falls back and I attach and follow. Sink the
weight into the right Kua and step ahead with the left foot, touching down
just the heel. The toe faces slightly to the left of east. The left
hand reaches out to the front of the middle of the chest as if to grab the
opponent’s wrist. The
saber now starts to circle in the opposite direction to swing up and forward
on the right side of the body. Focus on
attaching with the left palm. |
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Following the withdrawal of the opponent and continuing the attack with the saber. The left
foot rotates out so the toe faces halfway between east and north. Shift the
weight onto the left foot and roll up onto the right toe. The
saber continues its swing up and to the front. Focus on
the target. |
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Continuing the follow and attack. Step
forward with the right foot, touching down the heel. The toe faces east. The
saber continues its upward swing and starts to angle toward the center. Focus on
the target. |
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The upper cut (and first wheel) is complete. Shift the weight onto the right foot until the knee covers the toe. The torso has turned slightly more to the left in order to get good torque release for the upper cut. The left hand has pulled around to the rear, facing outward to balance the forward cutting of the saber. The
saber cutting edge ends in the front of the lower body with the sharp edge
upward. Notice that the right hand is slightly to the right of the point. If
you have the hand and the point on the same vertical plane there will be too
much strain on the forearm. Focus on
the cutting edge. |
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A repeat of Retreat and Parry to the Left, only not named as a separate movement. Turning
the torso to the left, pull in the right foot to empty stance on toe. The
saber is drawn up to the left and the hand rotates clockwise to turn the flat
of the blade outward to neutralize and stick. The rotation happens as the
hand moves up to the left. The left
hand moves to attach to the right wrist to support the saber. Focus
on the flat of the blade for joining, sticking and leading. |
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Starting to step in while sticking. A repeat
of the previous step in. Lift up the right foot and rotate out the hip. The
saber starts its circle. Focus on
sticking. |
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Starting the press upward. For this
movement, place down the right foot so the toe faces south. This is more to
the right then it was last time because we are going to squat lower. The left
hand leaves the right wrist and is getting ready to press upward by moving
near the middle of the saber blade. Focus on
the saber blade for sticking and moving inside. |
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Pressing upward. Shift
the weight onto the right leg and squat down until the left leg almost
touches the ground near the right heel. The torso has turned to the right. Be
sure you have stepped far enough to the front with the right foot so there is
room for this squat down move. If you lack flexibility, you do not have to
squat as low as this. The two hands
combine to make this a strong upward press. The heel of the left palm is
placed on the rear of the saber blade about three quarters of the way down
toward the point. The hands are over the top of the head with the right palm
near the right temple. The two hands have made a diagonal arc from bottom
left to upper right. Focus on
the cutting edge of the blade. |
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I follow and start my upper cut. Start to
step forward by coming up out of the deep stance and sink the weight onto the
right Kua. The left
hand reaches forward at the center of the chest level with the palm out, as
if grabbing. The saber is going to make a large swing motion on the right
side of the body again. Focus on
the left hand for joining. |
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Stepping forward. Step
forward with the left foot, just touching down the heel. The toe is going to
end up facing halfway between east and north. The hands
stay in the same basic relationship to the body – the left is joined and
leading to the left, while the right swings the saber forward. Focus on
leading with the left and the possible target. |
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Still stepping forward. Shift the
weight onto the left foot with the toe turned out to the left halfway between
north and east. The torso is turning to the left. The left
hand continues to lead to the left and the right continues to swing the saber
forward and up. Focus on
the leading and the target. |
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Starting the upper cut. Step
forward with the right foot, touching down the heel. The toe faces east. The
torso has turned a bit more to the left. The left
hand continues to lead to the left and is now back by the right leg at chest height. The
right hand is in front and the tip of the saber is starting to swing upward
toward the center. Focus on
the target. |
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The movement is complete. Shift
the weight completely onto the right foot until the knee just covers the toe.
The toe and knee face east. The torso is facing slightly to the left. Be
careful not to overextend or lean. The left
hand is held behind the body in line with the left leg at chest level. The
saber point is directed toward the front and lower center of the body. Notice
that the right hand is held slightly to the right of the point in order not
to stress out the forearm. Focus on
the saber cutting edge. |